uraniumism--音乐搜集7---一点爵士

老亥

虽然以前的音乐搜集帖子也有爵士，但是不是很多。 恩，心血来潮弄点爵士的帖子给大家。不一定都是经典。

还是那句话，真正喜欢就买碟子支持音乐人。

老亥

他的全集。。。太可怕了。在wiki上随便查了一下，126张。。。
唱片店看到他的cd都无语。好像每次都能看到从前没见过的。。。

1955 - Miles - The New Miles Davis Quintet @ 320







Miles: The New Miles Davis Quintet is an album recorded on 15 November 1955 by Miles Davis, for Prestige Records. As the name suggests, it was the first to feature his now-famous "first great quintet" (though in fact they had recorded a session for Columbia Records three weeks earlier, eventually released on the album 'Round About Midnight). The album is often known as Miles, since that is the only word on the cover. As with the other albums recorded for Prestige the following year, the quintet was playing familiar material in a fairly straightforward manner. Coltrane does not play on "There is No Greater Love".



Performers:



Miles Davis - Trumpet

John Coltrane - Tenor saxophone

Philly Joe Jones - Drums

Red Garland - Piano

Paul Chambers - Bass



Tracks:



1. "Just Squeeze Me" 7:25

2. "There is No Greater Love" 5:16

3. "How Am I to Know?" 4:37

4. "S'posin'" 5:12

5. "Miles' Theme" 5:47

6. "Stablemates" 5:19

Code:

Part 01 : http://rapidshare.com/files/126914427/md-1955-tmdq-320.part1.rar
Part 02 : http://rapidshare.com/files/126915863/md-1955-tmdq-320.part2.rar

1957 - Round About Midnight @ 320 - 2001 Reissue







'Round About Midnight is an album by jazz musician Miles Davis, released in March of 1957 and his debut on Columbia Records, CL 949. Recording sessions took place at Columbia Studio D on October 26, 1955, and at Columbia's 30th Street Studio on June 5 and September 10, 1956.



Personnel



Miles Davis - trumpet

John Coltrane - tenor saxophone

Red Garland - piano

Paul Chambers - bass

Philly Joe Jones - drums



Tracks:



"'Round Midnight" (Bernie Hanighen, Thelonious Monk, Cootie Williams) – 6:00

"Ah-Leu-Cha" (Charlie Parker) – 5:55

"All of You" (Cole Porter) – 7:05

"Bye Bye Blackbird" (Mort Dixon, Ray Henderson) – 7:59

"Tadd's Delight" (Tadd Dameron) – 4:33

"Dear Old Stockholm" (Traditional, arranged by Stan Getz) – 7:55



Bonus Tracks 2001 Reissue:



"Two Bass Hit" (Dizzy Gillespie, John Lewis) – 3:47 (October 1955 session)

"Little Melonae" (Jackie McLean) – 7:24 (October 1955 session)

"Budo" (Miles Davis, Bud Powell) – 4:17 (October 1955 session)

"Sweet Sue, Just You" (Will Harris, Victor Young) – 3:39 (September 1956 session)

Code:

http://rapidshare.com/files/126919226/md-1957-ram-320.part1.rar
http://rapidshare.com/files/126920377/md-1957-ram-320.part2.rar

1957 - Birth of The Cool @ 320







Birth of the Cool is an album which collects twelve songs recorded by the Miles Davis nonet for Capitol Records in 1949 and 1950.

Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements strongly inspired by classical music, and marked a major development in post-bebop jazz. As the title implies, these recordings are considered seminal in the history of cool jazz.



Personnel



Miles Davis – trumpet (all)

Kai Winding – trombone (January 1949)

J. J. Johnson – trombone (April 1949, March 1950)

Junior Collins – French horn (January 1949)

Sandy Siegelstein – French horn (April 1949)

Gunther Schuller – French horn (March 1950)

Bill Barber – tuba (all)

Lee Konitz – alto saxophone (all)

Gerry Mulligan – baritone saxophone (all)

Al Haig – piano (January 1949)

John Lewis – piano (April 1949, March 1950)

Joe Shulman – bass (January 1949)

Nelson Boyd – bass (April 1949)

Al McKibbon – bass (March 1950)

Max Roach – drums (January 1949, March 1950)

Kenny Clarke – drums (April 1949)

Kenny Hagood – vocal ("Darn That Dream" only)



Track listing



Arrangements by the composer unless otherwise noted.

"Move" (Denzil Best, arranged by John Lewis) – 2:32

"Jeru" (Gerry Mulligan) – 3:10

"Moon Dreams" (Chummy MacGregor, Johnny Mercer, arranged by Gil Evans) – 3:17

"Venus de Milo" (Mulligan) – 3:10

"Budo" (Miles Davis, Bud Powell, arranged by Lewis) – 2:32

"Deception" (Davis, arranged by Mulligan) – 2:45

"Godchild" (George Wallington, arranged by Mulligan) – 3:07

"Boplicity" (Cleo Henry, i.e. Davis and Gil Evans, arranged by Evans) – 2:59

"Rocker" (Mulligan) – 3:03

"Israel" (Johnny Carisi) – 2:15

"Rouge" (John Lewis) – 3:13

"Darn That Dream" (Eddie DeLange, James Van Heusen, arranged by Mulligan) – 3:26



Download:

Code:

http://rapidshare.com/files/126922838/md-1957-botc-320.rar

1957 - Miles Ahead - Japanese Import (SICP 1202 Japan) @ 320







Miles Ahead is a cool jazz album by Miles Davis released in 1957. This was the first album after "Birth of the Cool" that Davis recorded with Gil Evans, with whom he would go on to release albums such as Porgy and Bess and Sketches of Spain. Gil Evans combined the ten pieces that make up the album in a kind of suite, each following the preceding one without interruption. Davis is the only soloist on Miles Ahead, which also features a prominent horn section.



Track listing



"Springsville" (John Carisi)

"The Maids of Cadiz" (Leo Delibes)

"The Duke" (Dave Brubeck)

"My Ship" (Ira Gershwin/Kurt Weill)

"Miles Ahead" (Davis/Evans)

"Blues for Pablo" (Evans)

"New Rhumba" (Ahmad Jamal)

"The Meaning of the Blues" (Bobby Troup/Worth)

"Lament" (J. J. Johnson)

"I Don't Wanna Be Kissed (By Anyone But You)" (Elliott/Spina)



Download:

Code:

http://rapidshare.com/files/126935877/md-1957-ma-320.rar

1958 - Ascenseur pour l'Echafaud @ 320







Ascenseur pour l'Échafaud is an album by jazz musician Miles Davis. It was recorded at Le Poste Parisien Studio in Paris on December 4 and 5, 1957. The album is the soundtrack to the 1958 Louis Malle film Ascenseur pour l'Échafaud.

Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis for creating the film's soundtrack - possibly inspired by the Modern Jazz Quartet's recording for Roger Vadim's Sait-on jamais (Does One Ever Know), released a few months earlier in 1957.



Track listing



Nuit Sur Les Champs-Élysées (take 1) – 2:25

Nuit Sur Les Champs-Élysées (take 2) – 5:20

Nuit Sur Les Champs-Élysées (take 3) – 2:47

Nuit Sur Les Champs-Élysées (take 4) – 2:59

Assassinat (take 1) – 2:02

Assassinat (take 2) – 2:10

Assassinat (take 3) – 2:10

Motel – 3:56

Final (take 1) – 3:05

Final (take 2) – 3:00

Final (take 3) – 4:04

Ascenseur – 1:57

Le Petit Bal (take 1) – 2:40

Le Petit Bal (take 2) – 2:53

Séquence Voiture (take 1) – 2:56

Séquence Voiture (take 2) – 2:16

Générique – 2:45

L' Assassinat de Carala – 2:10

Sur L'Autoroute – 2:15

Julien Dans L'Ascenseur – 2:07

Florence Sur Les Champs-Élysées – 2:50

Diner au Motel – 2:58

Évasion De Julien – 0:53

Visite Du Vigile – 2:00

Au Bar du Petit Bac – 2:50

Chez Le Photographe Du Motel – 3:50

The original soundtrack to the film, as mixed and edited in 1958, and used for the screen, can be heard in tracks 17 to 26.



Personnel

Miles Davis - Primary Artist, Trumpet

Barney Wilen - Tenor Saxophone

René Urtreger - Piano

Pierre Michelot - Bass

Kenny Clarke - Drums



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http://rapidshare.com/files/127306473/1958-md-aple-320.rar

1958 - Miles Davis At Newport @ 320







At the 1958 Newport Festival, Miles Davis was leading one of his most celebrated groups: a sextet consisting of John Coltrane (tenor sax), Cannonball Adderley (alto sax), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums). This same lineup would record Kind of Blue within a year. The results here aren't quite as magical. Coltrane, at the peak of his sheets-of-sound period, is incredible -- he tears through the songs with ferocity. Just listen to "Two Bass Hit". Bill Evans, on the other hand, sounds a little out of place on the bop tunes that compose the bulk of this set; his reflective, abstract playing doesn't fit in as well in this context. Adderley and Davis play well though I wouldn't call this performance a milestone for either one. The sextet also tackle a few of the tunes a bit faster than they can handle, and they bungle the theme to "Ah Leu Cha". But this is still a very good recording of a great group, and worth buying for the hardcore Davis aficionado.



Personnel



Miles Davis (trumpet)

John Coltrane (tenor sax)

Cannonball Adderley (alto sax)

Bill Evans (piano)

Paul Chambers (bass)

Jimmy Cobb (drums)



Tracks



1. Introduction 2:16

2. Ah-Leu-Cha 5:53

3. Straight, No Chaser 8:48

4. Fran-Dance 7:14

5. Two Bass Hit 4:11

6. Bye Bye Blackbird 9:11

7. The Theme 2:49



Download:

Code:

http://rapidshare.com/files/127310299/1958-md-lan-320.rar

1958 - Milestones @ 320







Milestones is an album recorded in February and March 1958 by Miles Davis. It is renowned for including Miles' first forays into the developing modal jazz experiments, as noticed on the piece "Miles" (renamed 'Milestones'), which would be followed to its logical conclusion on Kind of Blue. Furthermore, the playing of his sextet, which featured Cannonball Adderley and John Coltrane contributing on such tracks as "Straight No Chaser", have induced it to be highly regarded by jazz musicians, fans and critics alike. It was also the last time the rhythm section of Jones, Garland and Chambers would ever play with Miles on record.



Coltrane returned to Davis’s group in 1958, contributing to the “modal phase” albums Milestones (1958) and Kind of Blue (1959), both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes—i.e., scale patterns other than major and minor.



Pesonnel



Miles Davis - Trumpet, Piano (on "Sid's Ahead")

Cannonball Adderley - Alto saxophone

John Coltrane - Tenor saxophone

Red Garland - Piano

Paul Chambers - Double bass

Philly Joe Jones - Drums



Track listing



"Dr. Jackle" - 5:47 (Jackie McLean)

"Sid's Ahead" - 12:59 (Miles Davis)

"Two Bass Hit" - 5:13 (John Lewis - Dizzy Gillespie)

"Miles" - 5:45 (Miles Davis)[2]

"Billy Boy" - 7:14 (Traditional, arr. Ahmad Jamal)

"Straight, No Chaser" - 10:41 (Thelonious Monk)



Download:

Code:

http://rapidshare.com/files/127325622/1958-md-m-320.part1.rar
http://rapidshare.com/files/127332977/1958-md-m-320.part2.rar

老亥

1958 - Porgy And Bess (1997 Reissue) @ 320







Porgy and Bess is a 1958 album by jazz musician Miles Davis which he and Gil Evans arranged from George Gershwin's opera Porgy and Bess. The album was recorded in four sessions on July 22, July 29, August 4 and August 18, 1958 at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. For many jazz critics, this recording is regarded as historic.



Tracks:



All compositions by George Gershwin, Ira Gershwin and DuBose Heyward, except otherwise noted.



Side one

1. The Buzzard Song 4:07

2. Bess, You Is My Woman Now 5:10

3. Gone 3:37

4. Gone, Gone, Gone 2:03

5. Summertime 3:17

6. Prayer (Oh Doctor Jesus) 4:18



Side two



1. Prayer (Oh Doctor Jesus) 4:39

2. Fisherman, Strawberry and Devil Crab 4:06

3. My Man's Gone Now 6:14

4. It Ain't Necessarily So 4:23

5. Here Come De Honey Man 1:18

6. I Wants to Stay Here (a.k.a. I Loves You, Porgy) 3:39

7. There's a Boat That's Leaving Soon for New York 3:23



1997 Reissue bonus tracks



1. I Loves You, Porgy (take 1, second version) 4:14

2. Gone (take 4) 3:40



Personnel



Miles Davis - trumpet, flugelhorn

Ernie Royal, Bernie Glow, Johnny Coles and Louis Mucci - trumpet

Dick Hixon, Frank Rehak, Jimmy Cleveland and Joe Bennett - trombone

Willie Ruff, Julius Watkins and Gunther Schuller - horn

Bill Barber - tuba

Phil Bodner, Jerome Richardson and Romeo Penque - flute, alto flute & clarinet

Cannonball Adderley - alto saxophone

Danny Bank - alto flute & bass clarinet

Paul Chambers - bass

Jimmy Cobb - drums (except tracks 3,4, 9, & 15)

Philly Joe Jones - drums (tracks 3,4, 9, & 15)

Gil Evans - arranger & conductor

Download:

Code:

http://rapidshare.com/files/127650625/1958-md-pab-320.part1.rar
http://rapidshare.com/files/127652399/1958-md-pab-320.part2.rar

1959 - Kind of Blue (1997 Reissue) @ 320







Kind of Blue is a jazz album by musician Miles Davis, released August 17, 1959, on Columbia Records, in both mono and stereo, CL1355 and CS8163. Recording sessions took place at Columbia's 30th Street Studio in March and April of 1959. As of January 16, 2002, it has been certified triple platinum in sales by the Recording Industry Association of America. Though precise figures have been disputed, Kind of Blue has been cited as Davis' best-selling album, and as the best-selling jazz record of all time. It is also regarded by many as the greatest jazz album of all time and ranks at or near the top of many "best album" lists in disparate genres. In 2002, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.



Track listing



Only six full takes of the five tunes on the album exist, indicated by the song numbers.



Side one

1. So What 9:22

2. Freddie Freeloader 9:46

3. Blue in Green 5:37



Side two



1. All Blues 11:33

2. Flamenco Sketches 9:26



1997 reissue bonus track

1. Flamenco Sketches 9:32



Personnel



Miles Davis – trumpet, leader

Julian "Cannonball" Adderley – alto saxophone, does not play on "Blue in Green"

John Coltrane – tenor saxophone

Wynton Kelly – piano, only on "Freddie Freeloader"

Bill Evans – piano on all except "Freddie Freeloader," liner notes

Paul Chambers – bass

Jimmy Cobb – drums



Additional personnel



Irving Townsend – original recording producer

Fred Plaut – recording engineer

Michael Cuscuna – reissue producer

Mark Wilder – remix engineer

Gil Evans - arranger

Download:

Code:

http://rapidshare.com/files/127657376/1959-md-kob-320.part1.rar
http://rapidshare.com/files/127660115/1959-md-kob-320.part2.rar

1960 - Sketches of Spain @ 320







Sketches of Spain is an album by Miles Davis, recorded between November 1959 and March 1960. The album pairs Davis with arranger and composer Gil Evans, with whom he had collaborated on several other projects, on a program of compositions largely derived from the Spanish folk tradition. (An extended version of the second movement of Joaquin Rodrigo's Concierto de Aranjuez is also included, as well as a song called "Will o' the Wisp", from the ballet El amor brujo by Manuel de Falla.)



Track listing



"Concierto de Aranjuez" (Adagio) (Joaquín Rodrigo) –16:19

"Will o' the Wisp" (Manuel de Falla) –3:47

"The Pan Piper" (Gil Evans) –3:52

"Saeta" (Evans) –5:06

"Solea" (Evans) –12:15



Personnel



In alphabetical order



Danny Bank — bass clarinet

Bill Barber — tuba

John Barrows — French horn

Albert Block — flute

James Buffington — French horn

Eddie Caine — flute, flugelhorn

Paul Chambers — bass

Earl Chapin — French horn

Jimmy Cobb — drums

Johnny Coles — trumpet

Miles Davis — trumpet, flugelhorn

Gil Evans — arranger, conductor

Harold Feldman — clarinet, flute, oboe

Bernie Glow — trumpet

Dick Hixon — trombone

Elvin Jones — percussion

Taft Jordan — trumpet

Jack Knitzer — bassoon

Jose Mangual — percussion

Jimmy McAllister — tuba

Tony Miranda — French horn

Louis Mucci — trumpet

Romeo Penque — oboe

Janet Putnam — harp

Frank Rehak — trombone

Ernie Royal — trumpet

Joe Singer — French horn



Download:

Code:

http://rapidshare.com/files/127664713/1960-md-sos-320.rar

1960 - Olympia, 11th October 1960 @ 320







If you like old Miles Davis, buy this concert before it goes out of print (most do). It's expensive, but i'm so glad I own this show... Here it is: Line-up; Miles, Stitt, Chambers, Cobb, W. Kelly. Songs; Walkin', All of You, So What, The Theme. These cd's are simply wonderful copies of the original concerts! No editing, no changing the song orders, it is as if you were there!



Track Listing:



CD 01:



1. All Of You 17:06

2. So What 13:26

3. On Green Dolphin Street 14:40



CD 02:



1. Walkin' / B 15:53

2. Bye Bye Blackbird 13:58

3. Round About Midnight 5:37

4. Oleo 4:23

5. The Theme 0:49

CD 01 Download:

Code:

http://rapidshare.com/files/127938314/1960-md-o1-320.part1.rar
http://rapidshare.com/files/127938828/1960-md-o1-320.part2.rar

CD 02 Download:

Code:

http://rapidshare.com/files/127947466/1960-md-o2-320.rar

1961 - Miles Davis at Carnegie Hall @ 320







This was a great and underrated Davis ensemble. The fact that they were playing some of the innovative pieces of the Gil Evans/Davis era with full orchestral accompaniment and in a live setting (and with acoustics of Carnegie Hall no less) should have made for a mounumental recording. As a historic document, it's a must-have: the playing is without reservation, first rate. But then, the sound. Even with remastering, you can't fix mike overload, and it is there often, and most specifically on Miles' principal mike of all places. At best the high dyanmics make for a rough sound, almost frayed and thready in its texture. Anyone used to listening to overmiked recordings, especially live ones from the 30's and 40's can deal with this, and enjoy it, if you like a rough, electric timbre to your trumpet sound. But at worst it's just full-blown distortion, distracting and disappointing and would have been so if any other instrument or player was playing in any other venue, whether Carnegie Hall or your cousin's wedding reception at the Elks Club. And this after all, IS Miles Davis, and this IS Carnegie Hall. Me, I can live with the sonic shortcomings; the performace, the occasion, and the lineup are all too important not to. But it's really a shame; this could have been, all around, one of the finest recordings, live or in studio, of Miles' career. As it is-- well, I have it playing now. So there you go.



Track Listings:



CD 01:



1. So What 12:02

2. Spring Is Here 4:03

3. Teo 9:11

4. Walkin' 9:32

5. The Meaning of the Blues/Lament 4:34

6. New Rhumba 4:07



CD 02:



1. Someday My Prince Will Come 2:55

2. Oleo 7:19

3. No Blues 10:38

4. I Thought About You 5:00

5. En Aranjuez Con Tu Amor 17:05



Download:



CD 01:

Code:

http://rapidshare.com/files/128007422/1961-md-mdach01-320.rar

CD 02

Code:

http://rapidshare.com/files/128009598/1961-md-mdacho2-320.rar

1963 - Miles Davis In Europe @ 320







Recorded live in France at the Festival Mondial, du Jazz Antibes, Miles Davis in Europe captures trumpeter Miles Davis in late 1963. While Four & More and My Funny Valentine -- both taken from the same 1964 New York Philharmonic Hall concert -- are most often cited as this lineup's essential live recording, Miles Davis in Europe is a no less exciting listen. The band, including tenor saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams, had recorded Seven Steps to Heaven a few months earlier, which would turn out to be the one studio album Davis would make with the lineup. Already, the band's adventurous, avant-garde leanings are on display with the young Williams propelling Davis to scorching heights on the fast swinger "Milestones." Similarly, Hancock helps turn the standard "I Thought About You" into an impressionistic and free-flowing ballad allowing Davis to spread wide swaths of tonal color and deep note bends across the stage. Although Coleman would depart the group in less than a year, he proves himself here to be a muscular, keen improviser who deserved more attention than he got at the time.



Personnel:



Ron Carter (Bass)

George Coleman (Sax (Tenor)

Miles Davis (Trumpet)

Herbie Hancock (Piano)

Tony Ruption Williams (Drums)



Tracks:



1. Introduction (by Andre Francis) 0:47

2. Autumn Leaves 13:52

3. Milestones 9:17

4. I Thought About You 11:44

5. Joshua 11:27

6. All Of You 16:49

7. Walkin' 16:15



Download:

Code:

http://rapidshare.com/files/128147146/1963-md-mdie-320.part1.rar
http://rapidshare.com/files/128149158/1963-md-mdie-320.part2.rar

1963 - Seven Steps To Heaven (Reissue) @ 320







Seven Steps to Heaven is an album recorded in 1963 by Miles Davis. On the 16th and 17th of April, a quintet comprising Davis, George Coleman, Victor Feldman, Ron Carter and Frank Butler recorded all six tunes plus "Summer Night", for an album to be titled So Near, So Far. A month later, Davis re-recorded three of the tunes (tracks 2, 4 & 6) with a new quintet, replacing Feldman with Herbie Hancock and Butler with Tony Williams. The new rhythm section of Hancock, Carter and Williams would form the nucleus of Davis's working band for the next five years. This is the last of Davis's studio albums which relies substantially on standard tunes - once Wayne Shorter joined the quintet in 1964, tunes on studio recordings were almost always composed by members of the group.



Performers



Miles Davis - Trumpet

George Coleman - Tenor Saxophone

Victor Feldman - Piano (April session)

Herbie Hancock - Piano (May session)

Ron Carter - Double bass

Frank Butler - Drums (April session)

Tony Williams - Drums (May session)



Track listing



1. Basin Street Blues 10:30

2. Seven Steps to Heaven 6:26

3. I Fall in Love Too Easily 6:46

4. So Near, So Far 6:59

5. Baby, Won't You Please Come Home? 8:28

6. Joshua 7:00



Bonus Tracks:



7. So Near, So Far (Alternate Take) 5:12

8. Sumer Night 6:02

Download:

Code:

http://rapidshare.com/files/128171910/1963-md-ssth-320.part1.rar
http://rapidshare.com/files/128182266/1963-md-ssth-320.part2.rar
http://rapidshare.com/files/128182625/1963-md-ssth-320.part3.rar

1954 - Blue Haze @ 320

Blue Haze is an album recorded in 1953 and 1954 by Miles Davis, for Prestige Records. The first track on the album is from the 3 April 1954 session which resulted in half of the album Walkin' (and was originally included on the 10" vinyl version of that album). The remainder is the result of two sessions on 19 May 1953 and 15 March 1954, the first being a quintet with John Lewis, Charles Mingus (on piano, not bass), Percy Heath and Max Roach, and the second a quartet with Horace Silver, Heath, and Art Blakey. Tracks 2 and 7 are wrongly credited as Davis compositions - they are both in fact by Eddie Vinson. However, Vinson supposedly wrote these tunes for Davis, and this is probably how the confusion has occurred.

Tracks:

1. I'll Remember April 7:52
2. Four 4:00
3. Old Devil Moon 3:22
4. Smooch 3:04
5. Blue Haze 6:08
6. When Lights Are Low 3:25
7. Tune Up 3:52
8. Miles Ahead 4:28

Personnel

"Smooch", "When Lights are Low", "Tune Up", "Miles Ahead" (19 May 1953):

Miles Davis - Trumpet
John Lewis - Piano (not on "Smooch")
Charles Mingus - Piano ("Smooch" only)
Percy Heath - Bass
Max Roach - Drums

"Four", "Old Devil Moon", "Blue Haze" (15 March 1954):

Miles Davis - Trumpet
Horace Silver - Piano
Percy Heath - Bass
Art Blakey - Drums

"I'll Remember April" (3 April 1954):

Miles Davis - Trumpet
David Schildkraut - Alto saxophone
Horace Silver - Piano
Percy Heath - Bass
Kenny Clarke - Drums

Download:

Code:

http://rapidshare.com/files/128191120/1954-md-bh-320.rar

1964 - Miles in Berlin @ 320







Miles in Berlin is an album recorded on September 25, 1964 by the Miles Davis Quintet at the Berlin Philharmonie, Berlin, Germany. It was released in the United States on Compact Disc in 2005 and marks the first recorded work of what is commonly known as Miles Davis' Second Great Quintet.



Track listing



"Milestones" (Miles Davis) – 8:58

"Autumn Leaves" (J. Kozma, J. Mercer, J. Prevert) – 12:38

"So What" (Miles Davis) – 10:27

"Stella By Starlight" (V. Young, N. Washington) – 12:54

"Walkin'" (R. Carpenter) – 10:40

"Go-Go (Theme and Announcement)" (Miles Davis) – 1:46



Personnel



Miles Davis – trumpet

Wayne Shorter – tenor saxophone

Herbie Hancock – piano

Ron Carter – bass

Tony Williams – drums



Download:

Code:

http://rapidshare.com/files/128397467/1964-md-mib-320.part1.rar
http://rapidshare.com/files/128399892/1964-md-mib-320.part2.rar

老亥

On 11 May and 26 October 1956, Miles Davis went into the studio with his core quintet and laid down tracks that were released as four different albums:



1957 - Cookin' With The Miles Davis Quintet

1957 - Relaxin' With The Miles Davis Quintet

1959 - Workin' With The Miles Davis Quintet

1961 - Steamin' With The Miles Davis Quintet



The Personnel on these four albums:



Miles Davis - Trumpet

John Coltrane - Tenor saxophone

Philly Joe Jones - Drums

Red Garland - Piano

Paul Chambers - Bass



Many jazz fans of the era and of present day considered this to be the best small combo ever in jazz music. Not only did they improve as a unit while they were together but each member benefited individually from the association. Miles found an incentive to play again and reached new heights because of the musical environment he had created in choosing his sidemen. The sidemen, in turn, flowered in the climate of the Davis latitude. By the beginning of 1957 Coltrane had broken the shackles of self-doubt and breathed freely into his singing horn. Garland had recorded successfully as a trio pianist (A Garland of Red) and the Chambers-Jones duo was fused into the most powerful of pulses.



In essence, what you are hearing is a portion of the group's repertoire. Some have been recorded before by Miles but with different personnel. This is similar to the way bands used to record. I do not refer to the calling of tunes as in a set but the idea of recording numbers that have been in the book for a while, ones with which the musicians are completely at home. I'm sure this had a lot to do with the great string of records that Count Basie made for Decca in the Thirties and although a small group has less difficulty in "shedding" an arrangement, the benefits they reap from experience of playing a piece on the job for several months prior to recording it, are unmistakable.

1957 Cookin' With The Miles Davis Quintet @ 320:







1. My Funny Valentine 6:04

2. Studio Chatter 0:25

3. Blues by Five 10:02

4. Airegin 4:29

5. Tune Up/When Lights Are Low 13:13



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1957 - Relaxin' With The Miles Davis Quintet @ 320:







1. Studio Chatter 0:13

2. If I Were A Bell 8:10

3. Studio Chatter 0:30

4. You're My Everything 4:52

5. I Could Write a Book 5:12

6. Studio Chatter 0:26

7. Oleo 5:56

8. It Could Happen to You 6:39

9. Woody 'n' You 5:03



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1959 - Workin' With The Miles Davis Quintet @ 320:







1. It Never Entered My Mind 5:27

2. Four 7:15

3. In Your Own Sweet Way 5:45

4. The Theme (take 1) 2:01

5. Trane's Blues (a.k.a "Vierd Blues") 8:35

6. Ahmad's Blues 7:26

7. Half Nelson 4:48

8. The Theme (take 2) 1:05



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1961 - Steamin' With The Miles Davis Quintet @ 320:







1. The Surrey With the Fringe On Top 9:08

2. Salt Peanuts 6:11

3. Something I Dreamed Last Night 6:18

4. Diane 7:53

5. Well You Needn't 6:23

6. When I Fall In Love 4:27



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1964 - Miles in Tokyo (Japanese Import) @ 320







Recorded in '64, Miles in Tokyo finds the iconic Miles Davis performing with his almost-second great quintet. Tenor saxophonist Sam Rivers, a more accomplished and daring experimentalist than his predecessor, George Coleman, joined the group after a fellow Bostonian, drummer Tony Williams, recommended him to Davis. There are times on this recording when one might understand why Davis and Rivers never meshed, and times when the partnership is quite wonderful, though brief.



Personnel:



Miles Davis: trumpet

Sam Rivers: tenor saxophone

Herbie Hancock: piano

Ron Carter: bass

Tony Williams: drums



Track listing:



1. Introduction by Teruo Isono 1:10

2. If I Were a Bell 10:17

3. My Funny Valentine 12:50

4. So What 8:06

5. Walkin' 9:15

6. All of You 11:19

7. Go-Go (Theme and Announcement) 1:21



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http://rapidshare.com/files/128676719/1964-md-mit-320.part2.rar

1964 - My Funny Valentine @ 320







My Funny Valentine is a 1964 live album by Miles Davis. It was recorded at a concert at the Lincoln Center, New York, on February 12, 1964.



The concert was part of a series of benefits staged at the recently-built Philharmonic Hall (now known as the Avery Fisher Hall), co-sponsored by the NAACP, the Congress of Racial Equality and the Student Nonviolent Coordinating Committee. Davis's set that night was ostensibly in support of voter registration in Mississippi and Louisiana, but he also mentioned in a Melody Maker interview that one of the concerts was in memory of John F. Kennedy, who had been assassinated the previous year. Kennedy's death had struck at the hopes of many in the Civil Rights movement, a cause dear to Miles, who had expressed his admiration for the President in 1962: "I like the Kennedy brothers; they're swinging people."



Two albums were assembled from the concert recording. The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers. Davis biographer Ian Carr notes that the former were "taken too fast and played scrappily," whilst the Funny Valentine pieces "were played with more depth and brilliance than Miles had achieved before." He goes on to laud the album as "one of the very greatest recordings of a live concert … The playing throughout the album is inspired, and Miles in particular reaches tremendous heights. Anyone who wanted to get a vivid idea of the trumpeter's development over the previous eight years or so should compare [earlier recordings of "My Funny Valentine" and "Stella by Starlight"] with the versions on this 1964 live recording."



Track listing

1. My Funny Valentine (Richard Rodgers, Lorenz Hart) – 15:03

2. All of You (Cole Porter) – 14:57

3. Stella by Starlight (Ned Washington, Victor Young) – 13:01

4. All Blues (Miles Davis) – 8:57

5. I Thought About You (Johnny Mercer, Jimmy Van Heusen) – 11:14



Personnel



Miles Davis — trumpet

Herbie Hancock — piano

Tony Williams — drums

Ron Carter — bass

George Coleman — tenor saxophone



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http://rapidshare.com/files/128649567/1964-md-mfv-320.part1.rar
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1967 - Nefertiti @ 320







Nefertiti is an album recorded in June and July 1967 by the second Miles Davis quintet and is the group's last fully acoustic album. Davis himself does not contribute anything in the way of compositions. The album is best known for the unusual title track, on which the horn section repeats the melody numerous times without individual solos while the rhythm section improvises underneath, reversing the traditional role of rhythm section. Also featured are the lilting ballad "Fall", Williams's "Hand Jive", a more boppish composition, and the other pieces showcase the group's unique post-bop approach.



The album reached number 8 in the U. S. Jazz Album charts on Billboard in 1968.



Both "Nefertiti" and "Riot" entered the Davis quintet's live book.

Davis and Shorter drift in and out of unison on the title track, a sound which inspired Joni Mitchell to pursue a similar effect on her 1976 album Hejira.



Track listing

1. Nefertiti (W. Shorter) 7:53

2. Fall (W. Shorter) 6:37

3. Hand Jive (T. Williams) 8:56

4. Madness (H. Hancock) 7:32

5. Riot (H. Hancock) 3:06

6. Pinocchio (W. Shorter) 5:05



Performers

Miles Davis - Trumpet

Wayne Shorter - Tenor saxophone

Herbie Hancock - Piano

Ron Carter - double bass

Tony Williams - Drums



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1968 - Miles In The Sky @ 320







Miles in the Sky is an album recorded in January and May 1968 by the Miles Davis quintet. It is notable for the first use of electric piano and electric guitar on an issued recording by Davis, a foreshadowing of his move into fusion music over the next few years.



"Paraphernalia" was the only composition from this album to enter Davis's live book.



Track listing



1. Stuff (M. Davis) - 17:01

2. Paraphernalia (W. Shorter) - 12:39

3. Black Comedy (T. Williams) - 7:27

4. Country Son (M. Davis) - 13:53



Bonus tracks from the 1998 CD reissue



5. Black Comedy (alternate take) - 6.26

6. Country Son (alternate take) - 14.39



Performers



Miles Davis - Trumpet

Wayne Shorter - Tenor saxophone

Herbie Hancock - Piano, Electric piano on "Stuff"

George Benson - Electric guitar on "Paraphernalia"

Ron Carter - Double bass, electric bass on "Stuff"

Tony Williams - Drums



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http://rapidshare.com/files/128939236/1968-md-mits-320.part1.rar
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1970 - Bitches Brew @ 320







Bitches Brew is an album recorded by American jazz trumpeter Miles Davis in 1969 and released in 1970. It is also the name of a piece included in this album.



Recorded over the course of three days (August 19–August 21, 1969), Bitches Brew incorporated electric instruments, such as electric piano and guitar, and mostly rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style.



The two-disc set contains mostly very long tracks, improvisations on pieces that were largely written in the studio, though substantially edited and rearranged afterwards.



Some jazz fans and musicians felt the album was crossing the limits, or was not jazz at all. One critic writes that "Davis drew a line in the sand that some jazz fans have never crossed, or even forgiven Davis for drawing." Bob Rusch recalls, "this to me was not great Black music, but I cynically saw it as part and parcel of the commercial crap that was beginning to choke and bastardize the catalogs of such dependable companies as Blue Note and Prestige.… I hear it 'better' today because there is now so much music that is worse."

On the other hand, many fans, critics, and musicians see the records as an important, vital release. In a 1997 interview, drummer Bobby Previte sums up his feelings about Bitches Brew: "Well, it was groundbreaking, for one. How much groundbreaking music do you hear now? It was music that you had that feeling you never heard quite before. It came from another place. How much music do you hear now like that?" The Penguin Guide to Jazz gives Bitches Brew a four-star rating (out of a possible four stars), describing the recording as "one of the most remarkable creative statements of the last half-century, in any artistic form. It is also profoundly flawed, a gigantic torso of burstingly noisy music that absolutely refuses to resolve itself under any recognized guise." In 2003, the album was ranked number 94 on Rolling Stone magazine's list of the 500 greatest albums of all time.



Bitches Brew is often called the best-selling jazz record. Such sales figures have been disputed, but it was Davis's first gold record, selling more than half a million copies. Eleven years earlier, however, Davis had released Kind of Blue, another groundbreaking record that has been cited as perhaps the best-selling jazz release. In 1998, Columbia Legacy/Sony Music released The Complete Bitches Brew Sessions, a four-disc box set that included Bitches Brew as well as ensuing studio sessions through February 1970.



Track Listing:



1. Pharaoh's Dance – 19:59

2. Bitches Brew – 26:58

3. Spanish Key – 17:29

4. John McLaughlin – 4:26

5. Miles Runs the Voodoo Down – 14:04

6. Sanctuary – 10:52



Personnel



On all tracks:



Miles Davis - trumpet

Wayne Shorter - soprano saxophone

Bennie Maupin - bass clarinet

Chick Corea - electric piano (solo on "Miles Runs The Voodoo Down")

John McLaughlin - guitar

Dave Holland - bass

Harvey Brooks - electric bass

Lenny White - drum set

Jack DeJohnette - drum set

Don Alias - congas, drum set

Juma Santos as "Jim Riley" - shaker, congas - percussion

Additional personnel:



Larry Young - electric piano on "Miles Runs the Voodoo Down" "John McLaughlin" "Spanish Key" and "Pharaoh's Dance"

Joe Zawinul - electric piano on "Bitches Brew" "Sanctuary" "Spanish Key" and "Pharaoh's Dance"



In session but uncredited:



Billy Cobham - drum set

Airto Moreira - percussion



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http://rapidshare.com/files/128992908/1970-md-bb02-320.part1.rar
http://rapidshare.com/files/129153046/1970-md-bb02-320.part2.rar

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1971 - Live Evil @ 320







Live-Evil is an album by Miles Davis, part of which was recorded live at The Cellar Door on December 19, 1970, and part of which was recorded in Columbia's Studio B, with different personnel on February 6, June 3, 4, 1970. Though all compositions were originally credited to Miles Davis, the studio recordings "Little Church" ("Igrejinha") and "Nem Um Talvez" ("Not Even a Maybe") are by Brazilian composer and multi-instrumentalist Hermeto Pascoal, who also played with the Davis band for his tunes. Davis had originally intended the album to be a spiritual successor to Bitches Brew, but this idea was abandoned when it became obvious that Live-Evil was "something completely different.



Personnel:



Trumpet: Miles Davis

Saxophone: Gary Bartz

Guitar: John McLaughlin

Keyboard: Keith Jarrett

Bass: Michael Henderson

Drums: Jack DeJohnette

Percussion: Airto Moreira

Cellar Door Segments, December 19, 1970: Sivad (a blend of "Directions," a studio fragment of "Honky Tonk," and a live recording of "Honky Tonk"), What I Say, Funky Tonk, Inamorata and Narration by Conrad Roberts.



Track Listings:



1. Sivad - 15:19

2. Little Church - 3:19

3. Medley: Gemini/Double Image - 5:58

4. Selim - 2:1

5. Funky Tonk - 23:29

6. Inamorata And Narration By Cnrad Roberts - 26:30



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http://rapidshare.com/files/129160439/1970-md-le02-320.part1.rar
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1974 - Big Fun @ 320







Big Fun is a double album recorded between 1969 and 1972 by Miles Davis. It was released on April 19, 1974 as a double LP. Largely ignored on its original release, its 2001 extended reissue proves that the album was underappreciated.



Big Fun's main musical flavor is an Indian-tinged jazz-rock, often incorporating sitar, tambura, tabla, and other Indian instruments.



Most of the tracks were recorded during the 1969-1970 Complete Bitches Brew Sessions, plus "Go Ahead John" from the 1970 Tribute to Jack Johnson sessions, and "Ife" from the 1972 On the Corner sessions.



The original LP and its four side-long cuts was at the time largely ignored, or dismissed as filler material. The later CD reissue, and its four additional tracks, got more attention and respect, making it considered an underappreciated album.

Recollections, which is a reworking of Joe Zawinul's "In a Silent Way" was used in the film, Finding Forrester.



"Lonely Fire" was used as a sample in Notorious BIG's track "Suicidal Thoughts" on his album Ready to Die.



Tracks:



"Great Expectations/Orange Lady" - 27:23

"Ife" - 21:34

"Recollections" (Zawinul) - 18:55

"Trevere" (Davis) - 5:55

"Go Ahead John" - 28:27

"Lonely Fire" - 21:21

"The Little Blue Frog" (Davis) - 9:10

"Yaphet" (Davis) - 9:39



Personnel:



Miles Davis - trumpet

Steve Grossman - soprano saxophone

Bennie Maupin - bass clarinet

John McLaughlin - electric guitar

Khalil Balakrishna - electric sitar, tamboura

Bihari Sharima - electric sitar, tamboura

Herbie Hancock - electric piano

Chick Corea - electric piano

Ron Carter - double bass

Harvey Brooks - Fender bass guitar

Billy Cobham - drums

Airto Moreira - percussion

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http://rapidshare.com/files/129258566/1974-md-bf01-320.part1.rar
http://rapidshare.com/files/129262533/1974-md-bf01-320.part2.rar
http://rapidshare.com/files/129265597/1974-md-bf02-320.part1.rar
http://rapidshare.com/files/129266867/1974-md-bf02-320.part2.rar

1974 - Dark Magus @ 320







Dark Magus is a live album by jazz artist Miles Davis recorded at Carnegie Hall in New York City on March 30, 1974. The album was released in 1977 in Japan as a double-LP by Columbia Records, and released in 1997 in the United States in a double-CD format. In 2001, Q magazine named it as one of the 50 Heaviest Albums of All Time.



Tracks:



"Moja, Pt. 1" – 12:28

"Moja, Pt. 2" – 12:40

"Wili, Pt. 1" – 14:20

"Wili, Pt. 2" – 10:44

"Tatu, Pt. 1" – 18:47

"Tatu, Pt. 2" – 6:29

"Nne, Pt. 1 " – 15:19

"Nne, Pt. 2 " – 10:11



Personnel:



Pete Cosey – guitar

Miles Davis – organ, trumpet

Al Foster – drums

Dominique Gaumont – guitar

Michael Henderson – bass

Azar Lawrence – tenor saxophone

Dave Liebman – flute, soprano saxophone, tenor saxophone

Reggie Lucas – guitar

Teo Macero – producer

James Mtume – percussion

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http://rapidshare.com/files/129277637/1974-md-dm01-320.part2.rar
http://rapidshare.com/files/129280311/1974-md-dm02-320.part1.rar
http://rapidshare.com/files/129281457/1974-md-dm02-320.part2.rar

1974 - Get Up With It @ 320







Get Up With It is an album collecting tracks recorded between 1970 and 1974 by Miles Davis. Released on November 22, 1974 as a double LP, it was Davis' last studio album before five years of retirement from music.



"He Loved Him Madly" is a half-hour jazz dirge in tribute to Duke Ellington, who had died one month before; Brian Eno cited it as a lasting influence on his own work.



Track listing



Original 2 LP release

Side one



"He Loved Him Madly" (1974) – 32:20



Side two



"Maiysha" (1974) – 14:56

"Honky Tonk" (1970) –05:57

"Rated X" (1972) –06:53



Side three

"Calypso Frelimo" (1973) –32:10



Side four



"Red China Blues" (1972) –04:10

"Mtume" (1974) –15:12

"Billy Preston" (1972) –12:35



(Note: The CD re-release merges sides A and B into CD1 and sides C and D into CD2)

(All compositions by Miles Davis.)

Performers



1970

Miles Davis — trumpet

Steve Grossman — soprano saxophone

John McLaughlin — electric guitar

Keith Jarrett — electric piano

Herbie Hancock — clavinet

Michael Henderson — bass guitar

Billy Cobham — drums

Airto Moreira — percussion



1972

Miles Davis — organ

Cedric Lawson — electric piano

Reggie Lucas — electric guitar

Khalil Balakrishna — electric sitar

Michael Henderson — bass guitar

Al Foster — drums

James Mtume Foreman — percussion

Badal Roy — tabla

Sonny Fortune — flute

Carlos Garnett — soprano saxophone



1973

Miles Davis — trumpet, electric piano, organ

Dave Liebman — flute

John Stubblefield — soprano saxophone

Pete Cosey — electric guitar

Reggie Lucas — electric guitar

Michael Henderson — bass guitar

Al Foster — drums

James Mtume Foreman — percussion



1974

Miles Davis — trumpet, organ

Dave Liebman — soprano saxophone, flute

Sonny Fortune — flute

Pete Cosey — electric guitar

Dominique Gaumont — electric guitar

Michael Henderson — bass guitar

Al Foster — drums

James Mtume Foreman — percussion



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http://rapidshare.com/files/129669781/1974-md-guwi01-320.part2.rar
http://rapidshare.com/files/129674291/1974-md-guwi02-320.part1.rar
http://rapidshare.com/files/129676172/1974-md-guwi02-320.part2.rar

1975 - Agharta @ 320







Like the most challenging music out there, this album is both a blessing and a headache. For musicians and jazz aficionados it's a, ever-changing stew of grooves, rhythms and blows to get lost in; for those more accustomed to the easy stylings of Miles's first quintet and the like, this is no more difficult a listen than an hour of jackhammering outside the window. Miles himself doesn't show the easy, soothing playing that made him famous in the first place; he sounds clipped, ragged and mad at the world. Considering that he had hip problems and had previously broken both legs in an accident, this might not be far from the truth.



His band might not have been quite as angry, but they still played with the same divine fire. The double-percussion team of Foster and Mtume lay down one dense African groove after another full of rhythms so thick you could wade through them; Cosey and Lucas bend their six-strings to some of the most primal wails this side of Hendrix; Henderson provides just the anchor on bass that everyone needs. Playing opposite Miles on sax was Sonny Fortune, and while he's no Wayne Shorter (but who could be?) he lays down a couple solos that I'm still trying to get my head around after a year of listening. The music was largely improvised and loosely sketched out, but rooted in some previous Davis sounds. "Maiysha" shows up in the track list, but I also hear pieces of "Right Off" and "Ife" among others. You'd probably have to be familiar with his entire body of work from this period to catch them all.



By the time of the two final concerts documented on Agharta and its counterpart Pangaea, Miles and crew had become a well-oiled machine, adept at weaving rock, jazz and funk into a head-spinning jungle brew that still confuses and amazes listeners 27 years later. It's jazz taken in a direction no one else had gone; it's a batch of hot rock grooves with tribal rhythmic underpinnings; it's the angry burning of a man in pain and a top-notch crew flourishing under his direction. And this show is only the Jekyll to Pangaea's Hyde; the later concert was even darker, heavier and closer to chaos. I'd recommend Agharta first of the two, but if you haven't heard any electric Miles it may be easier to start with B-Brew or Jack Johnson first. Agharta is a trip through the dense African bush, not for the faint of heart but those who love a good challenge.



Tracks:

1. Prelude - 32:35

2. Maiysha - 12:20

3. Interlude - 26:35

4. Theme From Jack Johnson - 25:17



Personnel:



Miles Davis – trumpet, organ

Sonny Fortune – soprano saxophone, alto saxophone, flute

Michael Henderson – electric bass

Pete Cosey – guitar, synthi, percussion

Al Foster – drums

Reggie Lucas – guitar

Mtume – conga, percussion, water drum, rhythm box



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http://rapidshare.com/files/130457009/1975-md-a02-320.part1.rar
http://rapidshare.com/files/130459720/1975-md-a02-320.part2.rar

1975 - Pangaea @ 320







Pangaea, a spectacular 1975 release, was the last album Miles Davis recorded before retiring from music for five years.

He was running on empty, his failing health made worse by drugs and drink. In a sense, this double disc is an 88-minute primal scream, as Davis spews forth his pain, tempering it with the melodic gifts he's always possessed.



From 1970's Bitches Brew on, Davis had been baffling and annoying jazz purists and critics with his increasingly electric, rock 'n' roll-influenced sound. But his self-avowed desire to draw a young, black audience was foiled by his own music -- Miles Davis records were too weird, atonal and jazzy for rock and R&B fans. So, his albums from this era were initially unpopular. Many weren't even released outside of Japan until recently.



Pangaea is truly scorched-earth music, thorny and apocalyptic, with influences as diverse as Sly Stone and Karlheinz Stockhausen.

And the rock influence is strong: bassist Michael Henderson had just come from playing with Aretha Franklin and Stevie Wonder, guitarists Pete Cosey and Reggie Lucas were noisy electric players, and drummer Al Foster played backbeats like a man possessed.



That's how Pangaea opens -- with Foster's heavy, fast rock beat. The guitars come in next, snarling in anticipation of Miles' entry. When he makes his appearance, nearly two minutes into the piece, he's playing through a wah-wah pedal, slowly mutating the tone of his trumpet into almost vocal tones.



It's a bizarre sound, but somehow retains Miles' classic simple lyricism. Further into the piece, at about the six-minute mark, the rhythm section drops out completely in the middle of a raging Sonny Fortune sax solo. Fortune keeps blowing on, and the beat comes back, just as ferocious, but at half-time. Fortune adapts his solo to the new beat, and the juggernaut rolls on.



That exchange is just one example of what Davis' septet acheived here. It's a truly organic form of rock 'n' roll jazz, where the entire face of the music can change through one musician's gesture -- a synergy latter-day jamsters like Phish or Rusted Root can only dream of.



Though the two pieces on Pangaea are long (40 minutes-plus) they still seem like windows onto something even larger -- this music feels like it could go on forever.



Track listings:

Zimbabwe – 41:48

Gondwana – 46:50



Personnel:



Miles Davis – trumpet, organ

Sonny Fortune – soprano saxophone, alto saxophone, flute

Michael Henderson – electric bass

Pete Cosey – guitar, synthi, percussion

Al Foster – drums

Reggie Lucas – guitar

Mtume – conga, percussion, water drum, rhythm box



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http://rapidshare.com/files/130474546/1975-md-p02-320.part1.rar
http://rapidshare.com/files/130474984/1975-md-p02-320.part2.rar

1983 - Star People @ 320







This is oddly unavailable on CD in the US (Columbia/Sony: why?) but is, possibly, the consistently strongest effort of Miles' last "comeback". Driven by guitarists, blues/funk inspired, and there's no Cyndy Lauper or Michael Jackson pop filler. Some arranging is by Gil Evans, some by Marcus Miller, stretching his wings as Miles' music director. Scofield's phrasing is so far behind the beat it's like he's mailing it in. Lotsa fun, if not the earthshaking mind-boggling music Miles made in the 60's and 70's.



Track listings:



All tracks composed by Miles Davis

"Come Get It" - 11:01

"It Gets Better" - 10:07

"Speak" - 8:28

"Star People" - 18:46

"U'N'I" - 4:26

"Star On Cicely" - 5:55



Personnel:



Miles Davis - trumpet, keyboards, concept

John Scofield - electric guitar

Mike Stern - electric guitar

Bill Evans - tenor & soprano saxophone

Tom Barney - electric bass

Mino Cinelu - percussion

Al Foster - drums

Marcus Miller - electric bass

Gil Evans - arranger



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好歌曲

老亥

Frank Sinatra - The Film Collection [320kbps]

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Frank Sinatra - The Film Collection @ 320



01. Too Romantic from "The road to Singapore"

02. Say It from "Buck Penny Pides again"

03. Is This The Beginning Of The End from "Johnny Apollo"

04. April Played The Fiddle from "If I had my way"

05. I Haven't Time To Be A Millionairefrom "If I had my way"

06. The Call Of The Canyon from "Rhythm of the Range"

07. I Could Make You Care from Ladies must live"

08. Our Love Affair from "Strike up the Band"

09. I'd Know You Anywhere from "You'll find out"

10. Not So Long Ago from "High as a kite"

11. YouLucky People You from "Road to Zanzibar"

12. It's Always You from "Road to Zanzibar"

13. Poor You from "Ship Ahoy"

14. I'll Take Tallulah from "Ship Ahoy"

15. The Last Call For Love from "Ship Ahoy"

16. Be Careful It's My Heart from "Holiday fun"

17. Dolores from "Las Vegas night"

18. I'll Never Let A Day Pass By from "Kiss the Boys"

19. Love Me As I Am from "Caught in a draft"

20. How About You from "Babes on Broadway"

21. I'll Never Smile Again

Code:

http://rapidshare.com/files/125019051/mafiaclassicollection4.part1.rar
http://rapidshare.com/files/125020159/mafiaclassicollection4.part2.rar

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Frank Sinatra - The Concert Collection @ 320



01. Nancy

02. Falling In Love With You

03. Day By Day

04. Birth Of The Blues

05. Nevertheless

06. What Can I Say After I Say I'm Sorry

07. How Deep Is The Ocean

08. She's Funny That Way

09. Ol' Man River

10. It Might As Well Be Spring

11. Surrey With The Fringe On Top

12. I Only Have Eyes On You

13. I Couldn't Sleep A Wink Last Night

14. It's Been A Long Long Time

15. I'll Be Around

16. A Lovely Way To Spend A Evening

17. Just You Just Me

18. Love Or Leave Me

19. I Don't Know Why

20. You Took Advantage Of Me

21. September Song

22. You Bought A New Kind Of Love To Me

23. Somebody Loves Me

24. I'm In The Mood For Love

25. I'm Always Chasing Rainbows

26. Embraceable You

27. Come Out Wherever You Are

28. All The Things You Are

29. There Will Never Be Another You

30. You'll Never Know

Code:

http://rapidshare.com/files/124997383/mafiaclassicollection3.part1.rar
http://rapidshare.com/files/124999433/mafiaclassicollection3.part2.rar

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Frank Sinatra - The Love Collection [320kbps]

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Frank Sinatra - The Love Collection @ 320



01. Come Fly With Me

02. Dancing In The Dark

03. All The Day

04. You Make Me Feel So Young

05. Love Me Or Leave

06. On The Sunny Side Of The Street

07. Blue Skies

08. Begin The Beguine

09. I Didn't Stand A Ghost Of A Chance

10. Night And Day

11. Somebody Loves Me

12. Just One Of Those Things

13. You Are My Love

14. They Didn't Believe Me

15. Out Of Nowhere

16. I've Got My Love To Keep Me Warm

17. For You

18. The Road To Mandalay

19. There Are Such Things

20. It Started All Over Again

21. This Love Of Mine

22. Stardust

23. Fools Rush In

24. lBe Careful It's My Heart

25. I'll Be Seeing You

26. East Of The Sun

27. The One I Love

Code:

http://rapidshare.com/files/124992503/mafiaclassicollection2.part1.rar
http://rapidshare.com/files/125012415/mafiaclassicollection2.part2.rar

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Frank Sinatra - The Big Band Collection [320kbps]

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Frank Sinatra - The Big Band Collection @ 320



01. Let's Get Away From It All

02. Oh! Look At Me Now

03. What Do You Do Without Me

04. Daybreak

05. Trade Winds

06. Moments In The Moonlight

07. A Sinner Kissed An Angel

08. Too Romantic

09. Whispering

10. Polka Dots

11. Our Love Affair

12. We Three [My Echo,My Shadow And Me]

13. You're Breaking My Heart All Over Again

14. Do I Worry

15. Everything Happens To Me

16. You And I

17. Imagination

18. Yours Is My Heart Alone

19. You're Lonely And I'm Lonely Too

20. Where Do You Keep Tour Heart

21. Two In Love

22. It's A Lovely Day Tomorrow

Code:

http://rapidshare.com/files/124988200/mafiaclassicollection1.part1.rar
http://rapidshare.com/files/124989623/mafiaclassicollection1.part2.rar

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Frank Sinatra - Swingin' Session and more [320kbps]

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Frank Sinatra - Swingin' Session and more @ 320



01. When You're Smiling (The Whole World Smiles With You)

02. Blue Moon

03. S'posin

04. It All Depends On You

05. It's Only A Paper Moon

06. My Blue Heaven

07. Should I

08. September In The Rain

09. Always

10. I Can't Believe That You're In Love With Me

11. I Concentrate On You

12. You Do Something To Me

13. Sentimental Baby

14. Hidden Persuasion

15. Ol' Macdonald





Total Size: 79,20MB

Code:

http://rapidshare.com/files/125022385/mafiaswinginsession.rar

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Frank Sinatra - All or Nothing at All [4 CD] 320kbps

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Frank Sinatra - All or Nothing at All - 1.Big Band Beginnings....Sold Stardom Genesis @ 320



01. From The Bottom Of My Heart

02. All Or Nothing At All

03. On A Little Street In Singapore

04. I'll Be Seeing You

05. Fools Rush In

06. East Of The Sun (And West Of The Moon)

07. I'll Never Smile Again

08. The One I Love (Belongs To Somebody Else)

09. Oh! Look At Me Now

10. It's Always You

11. Everything Happens To Me

12. Let's Get Away From It All

13. This Love Of Mine

14. Blue Skies

15. I Think Of You

16. How About You

17. The Song Is You

18. Night And Day

19. Just As Though You Were Here

20. Street Of Dreams

21. Be Careful, It's My Heart

22. In The Blue Of The Evening

23. There Are Such Things

24. A Lovely Way To Spend An Evening

Code:

http://rapidshare.com/files/124320113/propermafia1.part1.rar
http://rapidshare.com/files/124321818/propermafia1.part2.rar

Frank Sinatra - All or Nothing at All - 2.Time after Time @ 320

01. If You Are But A Dream

02. Saturday Night (Is The Loneliest Night Of The Week)

03. I Dream Of You (More Than You Dream I Do)

04. I Fall In Love Too Easily

05. Ol' Man River

06. When Your Lover Has Gone

07. My Melancholy Baby

08. Where Or When

09. I Should Care

10. Dream (When You're Feeling Blue)

11. Jesus Is A Rock In The Weary Land

12. Someone To Watch Over Me

13. You Go To My Head

14. Nancy (With The Laughing Face)

15. You Are Too Beautiful

16. Oh, What It Seemed To Be

17. (I Don't Stand) A Ghost Of A Chance (With You)

18. Why Shouldn't I

19. They Say It's Wonderful

20. The Girl That I Marry

21. Soliloquy Part 1

22. Soliloquy Part 2

23. The Things We Did Last Summer

24. Time After Time

Code:

http://rapidshare.com/files/124324389/propermafia2.part1.rar
http://rapidshare.com/files/124325949/propermafia2.part2.rar

Frank Sinatra - All or Nothing at All - 3.Mam'selle @ 320



01. Sweet Lorraine

02. You Can Take My Word For It, Baby

03. Always

04. I Concentrate On You

05. Mam'selle

06. Almost Like Being In Love

07. One For My Baby (And One More For The Road)

08. But Beautiful

09. All Of Me

10. Laura

11. What'll I Do

12. Mean To Me

13. Spring Is Here

14. It Never Entered My Mind

15. Autumn In New York

16. A Little Learnin' Is A Dangerous Thing (Part 1)

17. A Little Learnin' Is A Dangerous Thing (Part 2)

18. For Every Man There's A Woman

19. Why Was I Born

20. Bop! Goes My Heart

21. It All Depends On You

22. Don't Cry, Joe

23. When The Sun Goes Down

24. When You're Smiling

25. Nevertheless

Code:

http://rapidshare.com/files/124328307/propermafia3.part1.rar
http://rapidshare.com/files/124329649/propermafia3.part2.rar

Frank Sinatra - All or Nothing at All - 4.Radio Rules....OK ! @ 320





01. I Couldn't Sleep A Week Last Night

02. My Ideal

03. White Christmas

04. Close To You

05. You'll Never Know

06. Come Out, Wherever You Are

07. Long Ago (And Far Away)

08. Amor

09. I'll Walk Alone

10. Some Other Time

11. There's No You

12. There Goes That Song Again

13. With A Song In My Heart

14. Guess I'll Hang My Tears Out To Dry

15. If I Loved Her

16. I Begged Her

17. How Deep Is The Ocean

18. Great Day!

19. Over The Rainbow

20. Bess, Oh Where Is My Bess

21. I Only Have Eyes For You

22. Exactly Like You

23. Embraceable You

24. Five Minutes More

25. Goin' Home

26. I've Got A Crush On You

27. Bye Bye Baby

28. Body And Soul

29. Put Your Dreams Away



Total Size: 719,15MB

Code:

http://rapidshare.com/files/124331858/propermafia4.part1.rar
http://rapidshare.com/files/124333252/propermafia4.part2.rar

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Béla Fleck

Tales From the Accoustic Planet





Album : Tales From the Accoustic Planet

Artist : Béla Fleck

Release date : 1995

Label : Warner

Number of discs : 1

Genre : Jazz

Total size : 78,3 MB

Total time : 00:59:13

Tracks :

1. Up and Running

2. First Light

3. Great Circle Route, The

4. Circus of Regrets

5. Three Bridges Home

6. Landing, The

7. Arkansas Traveler

8. Backwoods Galaxy

9. In Your Eyes

10. System Seven

11. Cheeseballs in Cowtown

12. Bicyclops

13. Jayme Lynn

14. For Sascha



@ VBR mp3



Recorded from January to March 1994. Includes liner notes by Bela Fleck.

All songs written by Bela Fleck except "Arkansas Traveler" (P.D.).

"Cheeseballs In Cowtown" was nominated for a 1996 Grammy Award for Best Country Instrumental Performance.

Having spent the last five years touring and recording with his virtuoso electric ensemble, the Flecktones, banjo innovator Bela Fleck has created a concept album that celebrates his many musical friends and influences, in a homey setting. TALES FROM THE ACOUSTIC PLANET, an elegant, immaculately produced aural novella, is something of a homecoming dance for Bela--and surely the most ambitious, satisfying portrait yet of Fleck as a composer and arranger.

In exploring connections and defying conventions, TALES FROM THE ACOUSTIC PLANET presents an open-ended suite, drawing upon Fleck's roots in bluegrass, jazz, folk, country, pop and world music--eschewing hot licks in ...



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Béla Fleck & The Flecktones

Live at the Quick





Album : Live at the Quick

Artist : Béla Fleck & The Flecktones

Release date : 2000

Number of discs : 1

Genre : Jazz

Total size : 91,1 MB

Total time : 01 :15 :20

Individual track details :

1. "That Old Thing" (Intro)/"Earth Jam" (Fleck, Future Man, Wooten) – 7:55

2. "Zona Mona" (Coffin, Fleck) – 6:34

3. "Ovombo Summit" (Future Man) – 2:48

4. "Hall of Mirrors" (Fleck) – 5:42

5. "Scratch & Sniff" (Fleck, Wooten) – 6:43

6. Improv/"Amazing Grace" (Newton) – 5:18

7. "Big Country" (Fleck) – 8:21

8. "Interlude" (A. Narell) – 1:26

9. "Lover's Leap" (Fleck) – 6:13

10. "Alash Khem (Alash River Song)" (Traditional) – 2:26

11. "A Moment So Close" (Fleck) – 6:55

12. Improv/"Prelude from Bach Violin Partitia #3" (J.S. Bach) – 5:59

13. Intro (Fleck) – 1:06

14. "Hoedown" (Copland) – 9:00

@ 160 Kbit/s mp3



Personel:

The Flecktones

Béla Fleck – banjo, electric synth banjo, guitar

Jeff Coffin – tenor, alto saxophone, soprano saxophone, clarinet, flute

Future Man – synth-axe drumitar, acoustic percussion, vocals

Victor Lemonte Wooten – electric bass

Guest musicians

Sandip Burman - tabla

Paul Hanson - bassoon

Paul McCandless - oboe, English horn, soprano and sopranino saxophones

Andy Narell - steelpans, keyboard

Kongar-ool Kondar - Tuvan throat singing (as Congar ol'Ondar)

Live at the Quick was the ninth album released by Béla Fleck and the Flecktones and their second non-studio album. It was recorded live in 2000.



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Chick Corea & Béla Fleck

Enchantments





Release Date: 2007

Label: Concord Records

Performer: Chick Corea & Béla Fleck

Number of Discs: 1

Recorded in: Stereo

Length: 01:53:31

Total size: 122 MB



Individual Track Details:

01. Senorita

02. Spectacle

03. Joban Dna Nopia

04. Mountain

05. Children’s Song #6

06. A Strange Romance

07. Menagerie

08. Waltse for Abby

09. Brazil

10. The Enchantment

11. Sunset Road

@320 Kbit/s mp3

Master jazz pianist Chick Corea, who's influenced modern music for 40 years, and premiere banjoist Béla Fleck, who's taken bluegrass into wildly new realms, celebrate the music of their recent CD Enchantment. With a combined total of 20 Grammys, this eminent duo gets crankin' when bluegrass and jazz intertwine in rippling cascades. Fleck first heard his hero Chick Corea's band Return to Forever in the '70s and recast some of that genius into his own bands New Grass Revival and The Flecktones. Corea's brilliant experimentation over the years, from his early days with Miles Davis to his hard-hitting Elektric Band, his work with synthesizers, jazz fusion and forays into classical music, now includes this astonishing union of divergent musical traditions. The result? An exuberant testament not only to daring new styles, but to the boundless creativity of these two musical giants.





Part1:

Code:

http://rapidshare.com/files/95652756/C_C_BF-Enchant.part1.rar

Part2:

Code:

http://rapidshare.com/files/95657798/C_C_BF-Enchant.part2.rar

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Béla Fleck & the Flecktones

Greatest Hits of the 20th Century





Release Date: 11/16/1999

Label: Warner Bros.

Catalog #: 9362-46896-2

Performer: Béla Fleck & the Flecktones

Number of Discs: 1

Recorded in: Stereo

Length: 01:16:31

Total size: 175 MB



Individual Track Details:

1. Sinister Minister, The

2. Stomping Grounds - (live)

3. Flight Of The Cosmic Hippo

4. Shocktime - (previously unreleased)

5. Sex In A Pan

6. Yee-Haw Factor, The

7. Road House Blues - (previously unreleased)

8. Vix 9

9. Communication

10. Big Country

11. Sunset Road



@192 Kbit/s mp3



Bela Fleck & The Flecktones: Bela Fleck (acoustic & electric banjos, guitar, synthesizer); Roy "Future Man" Wooten (vocals, SynthAxe Drumitar); Howard Levy (harmonica, piano, synthesizer); Victor Lemonte Wooten (fretted & fretless basses).

Additional personnel: Dave Matthews (vocals); Jeff Coffin (soprano, alto & tenor saxophones); Paul McCandless (soprano saxophone); Sam Bush (mandolin, fiddle).

Digitally remastered by Keith Blake (1999, Warner Bros. In-house Studio).



Bela Fleck & The Flecktones: Bela Fleck (banjo); Howard Levy (harmonica); Future Man (guitar synthesizer); Victor Wooten (bass guitar).



Additional personnel: Dave Matthews (vocals); Sam Bush (fiddle); Paul McCandless (soprano saxophone); Jeff Coffin (alto saxophone).



Beyond the droll title there indeed lies some of the finest material these jazz-bluegrass cross-pollinators have ever recorded. This compilation documents the Bela Fleck & The Flecktones from their start as a trio in 1990 up to their expanded lineup on 1998's LEFT OF COOL, culling the cream of the albums in between. The avant-banjo virtuoso himself sheds some light on the inspiration for each song by including track-by-track annotations in the booklet.

GREATEST HITS begins on the same auspicious note as did the band's popularity, with the Grammy-winning instrumental "The Sinister Minister." It's a mysterious, quirky tune that creeps and crawls to Howard Levy's haunting harmonica playing. Two previously unissued tracks are included, with "Shocktime" surely being one of the more mind-blowing examples of the musicianship at hand. Originally intended to be on THREE FLEW OVER THE CUCKOO'S NEST, this cut shines a welcome spotlight on Victor Wooten's ebullient, jaw-dropping bass pyrotechnics. "Road House Blues" funks from the Mississippi Delta to the Big Apple with a down-home combo of Bela Fleck on slide-banjo and Jeff Coffin's alto sax grooves.



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Béla Fleck & The Flecktones

Ufo Tofu





Album : Ufo Tofu

Artist : Béla Fleck & The Flecktones

Release date : 1992

Label : Warner Bros.

Number of discs : 1

Genre : Bluegrass

Total size : 75,7 MB

Total time : 00:55 :01



Individual track details :

1. "The West County" (Béla Fleck) – 4:30

2. "Sex In A Pan" (Victor Wooten) – 3:33

3. "Nemo's Dream" (Fleck) – 5:07

4. "Bonnie & Slyde" (Fleck) – 4:18

5. "Scuttlebutt" (Fleck) – 4:04

6. "UFO Tofu" (Fleck) – 3:46

7. "Magic Fingers" (Fleck) – 5:13

8. "True North" (Fleck) – 4:54

9. "Life Without Elvis" (Fleck) – 5:06

10. "Seresta" (Howard Levy/Manfredo Fest) – 3:39

11. "The Yee-Haw Factor" (Fleck) – 6:57

12. "After The Storm" (Fleck) – 3:52



@ 192 Kbit/s mp3

Personel:

Béla Fleck - Acoustic, Slide, Electric & Nylon Strung Banjos

Howard Levy - Harmonicas (G, A, Bb, C & D), Piano, Synthesizers, Pennywhistle & Ocarina

Future Man - Synth-Axe Drumitar

Victor Wooten - 4 String Bass, 5 String Bass, 5 String Fretless Bass & Stereo Bass



UFO Tofu was the third album released by Béla Fleck and the Flecktones, released in 1992.





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Béla Fleck & The Flecktones

Flight of the Cosmic Hippo





Album : Flight of the Cosmic Hippo

Artist : Béla Fleck & The Flecktones

Release date : 1991

Label : Warner Bros.

Number of discs : 1

Genre : Jazz

Total size : 60,6 MB

Total time : 00 :43 :58





Individual track details :

1. "Blu-Bop" (Béla Fleck, Howard Levy, Victor Wooten, Roy Wooten) – 4:22

2. "Flying Saucer Dudes" (Fleck) – 4:51

3. "Turtle Rock" (Fleck) – 4:12

4. "Flight of the Cosmic Hippo" (Fleck) – 4:29

5. "The Star Spangled Banner" (Francis Scott Key, arr. Fleck, R. Wooten, Levy, V. Wooten) – 2:35

6. "Star of the County Down" (P.D., arr. Fleck, R. Wooten, Levy, V. Wooten) – 4:21

7. "Jekyll and Hyde (and Ted and Alice)" (Fleck) – 7:04

8. "Michelle" (John Lennon/Paul McCartney) – 5:10

9. "Hole in the Wall" (Fleck) – 4:40

10. "Flight of the Cosmic Hippo (Reprise)" (Fleck) – 2:14



@ 320 Kbit/s mp3



Personel:

Béla Fleck - banjo, electric banjo

Howard Levy - Diatonic Harmonica, Piano, Synthesizers, Harp in a Cup, Harp Through Micro Synth, Double Ocarina, Hammond B-3 Organ

"Future Man" - SynthAxe Drumitar

Victor Wooten - 4 String, 5 String Fretless and 6 String electric basses



The album title came from an audience member who suggested "Flight of the Codeine Hippo" as a name for the title track. The band changed "codeine" to "cosmic" to avoid the drug association.

"The Star Spangled Banner" was arranged and recorded in response to the Gulf War.

"Jekyll and Hyde (and Ted and Alice)" refers to the novella The Strange Case of Dr Jekyll and Mr Hyde as well as the film Bob & Carol & Ted & Alice.

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Béla Fleck & The Flecktones

Left of Cool





Release Date: 1998

Label: Warner Bros.

Catalog #: 9362-46896-2

Performer: Bella Fleck & The Flecktones

Number of Discs: 1

Recorded in: Stereo

Length: 01:16:31



Individual Track Details:

1. Throwdown at the Hoedown 5:10

2. Communication 4:16

3. Big Country 5:31

4. Sojourn of Arjuna 5:27

5. Let Me Be the One 4:38

6. Trane to Conamarra 6:48

7. Almost 12 3:15

8. Step Quiet 4:02

9. Oddity 5:32

10. Sleeping Dogs Lie 4:02

11. Trouble and Strife 5:15

12. Slow Walker 5:23

13. Shanti 5:12

14. The Big Blink 7:57

15. Prelude to Silence 3:55

@320 Kbit/s mp3



Bela Fleck and Victor Wooten formed Béla Fleck and the Flecktones in 1988, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Levy left the group in 1992, making the band a trio until Saxophonist Jeff Coffin joined the group with the 1998 album Left of Cool.

With the Flecktones, Fleck has been nominated for and won several Grammy awards.



Part1:

Code:

http://rapidshare.com/files/92668865/B_F_Flecks-Left_of_Cool.part1.rar

Part2:

Code:

http://rapidshare.com/files/92678053/B_F_Flecks-Left_of_Cool.part2.rar

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Béla Fleck & The Flecktones





Album : Béla Fleck & The Flecktones

Artist : Béla Fleck & The Flecktones

Release date : 1990

Label : Warner Bros.

Number of discs : 1

Genre : Bluegrass

Total size : 65,8 MB

Total time : 00:47 :43



Individual track details :

1. "Sea Brazil" (Béla Fleck) – 3:43

2. "Frontiers" (Fleck) – 6:08

3. "Hurricane Camille" (Fleck) – 2:38

4. "Half Moon Bay" (Fleck) – 5:09

5. "The Sinister Minister" (Fleck) – 4:38

6. "Sunset Road" (Fleck) – 5:04

7. "Flipper" (Fleck) – 4:21

8. "Mars Needs Women: Space is a Lonely Place" (Fleck) – 5:01

9. "Mars Needs Women: They're Here" (Fleck) – 3:30

10. "Reflections of Lucy" (Fleck/John Lennon/Paul McCartney) – 3:38

11. "Tell It to the Gov'nor" (Fleck) – 4:06



@ 320 Kbit/s mp3



Personel:

Béla Fleck - banjo

Howard Levy - harmonica, keyboards, Jew's harp, güiro

Roy "Future Man" Wooten - Synth-axe/Drumitar

Victor Wooten - bass



Béla Fleck and the Flecktones was the first album by the band of the same name, released in 1990. A live version of "The Sinister Minister", a track from this album, won a Grammy for Best Pop Instrumental Performance in 1997.



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